Feb 08

Fine Arts Dean Finalists to Visit UNM Feb. 13-March 8 – UNM Today …

Final­ists for dean of the Uni­ver­sity of New Mex­ico Col­lege of Fine Arts will visit cam­pus to meet with fac­ulty, stu­dents, staff, admin­is­tra­tion and com­mu­nity members:
Judith Thorpe: Mon­day, Feb. 13-Tuesday, Feb. 14. A forum for fac­ulty is set for Feb. 13, 1:45–2:45 p.m. in the Stu­dent Union Build­ing Acoma room and a pre­sen­ta­tion and open forum for Feb. 13, 3:30–5 p.m. in the SUB Santa Ana room.
Ronald Shields: Thurs­day, Feb. 16-Friday, Feb. 17. A forum for fac­ulty is set for Feb. 16, 9:45–10:45 a.m. in the SUB Mirage-Thunderbird room and a pre­sen­ta­tion and open forum for Feb. 16, 3–4:30 p.m. in the Dane Smith Hall room 123.
San­jit Sethi: Thurs­day, March 1-Friday, March 2. A forum for fac­ulty is set for March 1, 10:30–11:30 a.m. in the SUB Lobo room A and a pre­sen­ta­tion and open forum for March 1, 3–4:30 p.m. in the Dane Smith Hall room 123.
Kym­berly Pin­der: Wednes­day, March 7-Thursday, March 8. A forum for fac­ulty is set for March 7, 9:45–10:45 a.m. in a loca­tion to be deter­mined and a pre­sen­ta­tion and open forum for March 7, 3:30–5 p.m. in the SUB Acoma room.
The UNM Office of the Provost announced the final­ists fol­low­ing a national search. School of Archi­tec­ture and Plan­ning Dean Geral­dine Forbes-Isais led the search com­mit­tee com­posed of fac­ulty, admin­is­tra­tors, an alumna and a grad­u­ate stu­dent, most from the Col­lege of Fine Arts.
The dean will assume a cen­tral lead­er­ship role in con­tin­u­ing devel­op­ment of the college’s dis­ci­plines toward national emi­nence with a solid com­mit­ment to research, cre­ative work and teach­ing. The dean is respon­si­ble for improv­ing and pro­mot­ing the Col­lege of Fine Arts in areas of instruc­tion, research, fis­cal man­age­ment, devel­op­ment and personnel.
Kym­berly N. Pinder

Kym­berly N. Pinder

Kym­berly N. Pin­der is pro­fes­sor in the Depart­ment of Art His­tory, The­ory and Crit­i­cism at the School of the Art Insti­tute of Chicago, where she served as depart­ment chair and grad­u­ate pro­gram head. She teaches, writes and lec­tures widely on rep­re­sen­ta­tions of reli­gion, his­tory and race in Amer­i­can art. Pin­der received her doc­tor­ate from Yale Uni­ver­sity and has been a lec­turer at the Met­ro­pol­i­tan Museum of Art, Museum of Con­tem­po­rary Art, Terra Museum of Amer­i­can Art and Art Insti­tute of Chicago.
Pin­der was the edi­tor of the col­lec­tion “Race-ing Art His­tory: Crit­i­cal Read­ings in Race and Art His­tory.” Her work has also appeared in The Art Bul­letin, The Art Jour­nal, Third Text, Out­sider and The African Amer­i­can Review.
She received awards and fel­low­ships from the National Endow­ment for the Human­i­ties and the Mel­lon, Ford and Henry Luce Foun­da­tions, among oth­ers. In 2007 she was a scholar-in-residence at the Geor­gia O’Keeffe Research Cen­ter to com­plete her forth­com­ing book on art in Chicago’s African Amer­i­can churches, “Black Pub­lic Art and Reli­gion in Chicago.”
Pinder’s most recent arti­cles appeared in the fall issue of the Smithsonian’s Amer­i­can Art and Romare Bear­den: Amer­i­can Mod­ernist. Her lat­est project is on African Amer­i­can artists and pub­lic dis­course. She, the artist Bernard Williams and Art Insti­tute stu­dents have also painted three murals in Chicago Pub­lic Schools.
San­jit Sethi

San­jit Sethi

Sethi is direc­tor of the Cen­ter for Art and Pub­lic Life and the Bar­clay Simp­son chair of com­mu­nity art at Cal­i­for­nia Col­lege of the Arts. He received a Bach­e­lor of Fine Arts from the New York State Col­lege of Ceram­ics at Alfred Uni­ver­sity, Mas­ter of Fine Arts from the Uni­ver­sity of Geor­gia, and Mas­ter of Sci­ence in advanced visual stud­ies from the Mass­a­chu­setts Insti­tute of Technology.
Sethi has been an artist in res­i­dence at the Banff Cen­tre in Alberta, Canada and a Ful­bright fel­low in Ban­ga­lore, India, work­ing on the Build­ing Nomads Project. He con­tin­ued his focus on inter­dis­ci­pli­nary col­lab­o­ra­tion as direc­tor of the Mas­ter of Fine Arts pro­gram at the Mem­phis Col­lege of Art. His work deals with issues of nomadism, iden­tity, the residue of labor and memory.
Sethi recently com­pleted the Kuni Wada Bak­ery Remem­brance, an olfactory-based memo­r­ial in Mem­phis, Tenn.; and Rich­mond Vot­ing Sto­ries, a col­lab­o­ra­tive video project involv­ing youth and senior res­i­dents of Rich­mond, Calif. His cur­rent works include ongo­ing series “Indians/Indians,” the Urban Defib­ril­la­tor project and a series of writ­ings on the ter­ri­tory of fail­ure and its rela­tion­ship to col­lab­o­ra­tive cul­tural prac­tice, all involv­ing var­ied social and geo­graphic communities.
Ronald E. Shields

Ronald E. Shields

Shields is pro­fes­sor and chair of the Depart­ment of The­atre and Film at Bowl­ing Green State Uni­ver­sity in Bowl­ing Green, Ohio, a lead­er­ship posi­tion he has held for 17 years. As part of the plan­ning and devel­op­ment team, he recently par­tic­i­pated in the open­ing of the Wolfe Cen­ter for the Arts, a sig­na­ture per­form­ing arts build­ing designed by Snøhetta. A per­for­mance stud­ies scholar and the­atre direc­tor, he com­pleted his doc­tor­ate at Louisiana State Uni­ver­sity. As fac­ulty at BGSU, he taught a wide range of grad­u­ate and under­grad­u­ate courses in per­for­mance stud­ies and theatre.
Shields’ pub­li­ca­tions have appeared as book chap­ters and arti­cles in national and inter­na­tional jour­nals on such top­ics as celebrity per­for­mance and the media, verse drama between the wars, and con­tem­po­rary stag­ing the­o­ries and prac­tice. His pro­fes­sional ser­vice as an edi­tor included nine years as edi­tor of the nation’s old­est pro­fes­sional per­for­mance jour­nal, The­atre Annual: A Jour­nal of Per­for­mance Stud­ies and as an asso­ciate edi­tor for the inter­na­tional jour­nal Text and Per­for­mance Quarterly.
His opera pro­duc­tions and adap­ta­tions include works by Cav­alli, Verdi, Puc­cini, Donizetti, Han­del, Pur­cell, Wolf-Ferrari and Tele­mann. His work has been hon­ored the national Leslie Irene Coger Award and Out­stand­ing Per­for­mance Studies/Theatre Scholar Award.
Judith Thorpe

Judith Thorpe

Thorpe is pro­fes­sor of pho­tog­ra­phy and head of the Art & Art His­tory Depart­ment in the School of Fine Arts at the Uni­ver­sity of Con­necti­cut. Pre­vi­ously, she served as senior asso­ciate dean for aca­d­e­mic affairs and grad­u­ate pro­gram direc­tor at Tyler School of Art/Temple Uni­ver­sity in Philadel­phia and as the first exec­u­tive direc­tor of the Soci­ety for Pho­to­graphic Edu­ca­tion. She received a Mas­ter of Fine Arts in pho­tog­ra­phy from the Uni­ver­sity of Col­orado at Boul­der and attended the Har­vard Uni­ver­sity Grad­u­ate School of Edu­ca­tion Insti­tute for Edu­ca­tional Management.
Thorpe cur­rently serves on the board of direc­tors of the Col­lege Art Asso­ci­a­tion. She has served on the boards of the National Asso­ci­a­tion of Schools of Art & Design, National Coun­cil of Arts Admin­is­tra­tion and oth­ers. She has been suc­cess­fully involved in grant writ­ing, fundrais­ing and devel­op­ment, rais­ing more than a half mil­lion dol­lars for schol­ar­ships, pro­grams and operations.
Thorpe’s extended port­fo­lio, “The Body Remem­bered,” deals with the rep­re­sen­ta­tion of the female body. Her work is based in tra­di­tional dark­room processes, Polaroid mate­ri­als and dig­i­tal tech­nolo­gies. Thorpe’s cre­ative work has been exhib­ited at venues such as the Inter­na­tional Fine Art Fair, New York; The Amer­i­can Cen­ter, New Delhi, India; and Gra­ham Gallery, Albu­querque. Her work is in the col­lec­tions of the New Britain Museum of Amer­i­can Art, Polaroid Inter­na­tional Col­lec­tion, and Atlanta High Museum of Art.
Media Con­tact: Sari Krosin­sky, (505) 277?1593,michal@unm.edu

Continue reading here: Fine Arts Dean Finalists to Visit UNM Feb. 13-March 8 – UNM Today …

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Jan 27

design work life » Computer Arts Collection

Computer Arts Collection is a new annual series of six in-depth guides from the mak­ers of Computer Arts. I’ve seen one of these babies in per­son and it is gor­geous—it fea­tures every­thing from work sam­ples to designer pro­files to a full break­down of one studio’s design process, not to men­tion high qual­ity pro­duc­tion details. I admit I’m a bit of a mag­a­zine col­lec­tor, so I may be biased, but it truly is a visu­ally rich and infor­ma­tive pub­li­ca­tion?—?not some­thing you’d throw in the recy­cling bin.
The first issue should be in avail­able in the US soon at Barnes & Noble and Books-A-Million, Chapters in Canada, and WHSmiths in the UK, or you can buy a copy online. If you’re look­ing for more details, you can find them in this post, and also flip through a dig­i­tal sam­pler of the pub­li­ca­tion right here.

Continued here: design work life » Computer Arts Collection

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Jan 04

Which Republican Candidate Would Make the Best Arts Nominee …

by Benjamin Genocchio, Andrew M. Goldstein
Of all the clichés of American political life, one of the most stubborn is that the Republican Party hates the arts. Come election time, Republican candidates begin bashing the creative class, whether it is to attack Hollwood’s supposed liberal bias or pledge to curtail federal culture funding.
In 16 bruising debates that sent assertions flying, the two leading Republican presidential candidates (Mitt Romney and Newt Gingrich) did nothing to dislodge this impression. Spending cuts dominated the discussions, coupled with increasingly extreme positions on such red-meat Republican issues as gay marriage, Sharia law, taxes, and Israel. Then, of course, there is John Huntsman.
To coincide with the first Republican presidential primary in Iowa on January 3, ARTINFO decided to review the arts credentials of these three candidates. 
NEWT GINGRICH 
PRO 
– Gingrich wrote in 1993 that he considers himself a “definer of civilization,” as well as an ”advocate of civilization,” a “teacher of the rules of civilization,” an “arouser of those who form civilization,” an “organizer of the pro-civilization activists,” and the “leader (possibly) of the civilizing forces.”
– A Francophile, Gingrich first dreamt of entering public office after visiting a memorial to the Battle of Verdun as a boy, and later went to live with his parents in a château in the Loire Valley, where he ”had enough French to survive” and would go off exploring the area on his own, according to biographer Mel Steely.
– He loves the opera, spending this year’s anniversary of September 11th seeing a $1,000-per-ticket performance of “Tosca” at the Washington National Opera. In fact, he is a longtime supporter of the Washington National Opera.
– His wife, Callista, is a photographer, filmmaker, and author of the illustrated (partisan) children’s book “Sweet Land of Liberty,” featuring Ellis the Elephant. 
– Callista likes singing, too. “Michael Novak, a prominent Catholic writer on philosophy and political culture now teaching at Ave Maria University, a Catholic institution in Florida, said he remembered running into the Gingriches in Rome when Mrs. Gingrich was singing at the Vatican with the basilica choir from Washington, according to the New York Times.
– He and Callista made a documentary film together called “Nine Days That Changed the World,” about Pope John Paul’s part in shaking Poland free of Communism. The film was co-produced by Citizens United, the right-wing organization that won the landmark 2010 Supreme Court ruling “Citizens United v. Federal Election Commission” that allowed corporations to spend unlimited amounts of money on campaign ads under the banner of the First Amendment.
– “I am for the Atlanta Ballet,” Gingrich said in 1995. “I’m for the Metropolitan — maybe the greatest art museum in America — in New York City.” However, he then added that he was “against self-selected elites using your tax money and my tax money to pay off their friends.”
– He loves hard-edge realist painter James H. Cromartie, calling the artist’s painting of the Capitol building “an exceptional and truly beautiful work of art.” He also loves Norman Rockwell. Since 1965, however, “there has been a calculated effort by cultural elites to discredit this civilization and replace it with a culture of irresponsibility that is incompatible with American freedoms as we have known them,” he writes.
CON
– Gingrich wrote in 1993 that he considers himself a “definer of civilization,” as well as an ”advocate of civilization,” a “teacher of the rules of civilization,” an “arouser of those who form civilization,” an “organizer of the pro-civilization activists,” and the “leader (possibly) of the civilizing forces.”
– Gingrich doesn’t include any cultural pursuits under the “Personal Interests” section of his Facebook page, unless you count ”reading,” “writing” (he has a penchant for revisionist historical fiction that glosses over atrocities by Confederate troops), and “visiting zoos in different cities.”
– He believes that ”we are engaged in a cultural struggle with a cultural elite that believes that life is random and has no moral meaning.” Much of his perspective on the arts, in fact, is colored by his animus against cultural elitism. But he loves the opera.
– When the National Endowment of the Arts’s financial support for Robert Mapplethorpe’s infamous ”X Portfolio” came under fire in 1991,  Gingrich tried to push through a bill barring the NEA from sponsoring any projects that could be said to “promote, disseminate or produce materials that depict or describe in a patently offensive way sexual or excretory activities or organs.” This key salvo in the culture wars set the tone for Gingrich’s tenure as speaker of the House after Republicans swept into power there in 1994.
– In 1994, Gingrich proposed cutting the NEA’s funding by 50 percent. “Gingrich said he hoped to go even further, privatizing the NEA and public broadcasting,” according to ThinkProgress.org.
– A devout Catholic, he has written that he believes the “the crisis of European civilization” is that “militant, government-imposed secularism undermines and weakens Christianity.” 
– On “Piss Christ” versus the Muhammad cartoons that inflamed deadly riots across the Middle East: “That is why Yale agrees not to print the Muslim cartoons because after all you wouldn’t want… freedom of speech means having the ‘Piss Christ’ at a public facility so people can come and look at Christ in urine. That is totally appropriate. But now a cartoon that shows Mohammed, oh, that would be highly inappropriate.”
– He is, generally, a paranoid antimodernist.
MITT ROMNEY
PRO 
– According to ThinkProgress.org, “Perhaps the most controversial thing Republican Mitt Romney’s ever said about the arts was his brief declaration in 2007 that his favorite book was Scientology classic ‘Battlefield Earth’ — keeping in character and good sense, he soon reversed himself and declared that Mark Twain’s ‘Huckleberry Finn’ had pride of place on his bookshelf instead.” He also enjoys the “Twilight” series. Oh, and the Holy Bible. It’s a big tent.
– On his Facebook page, Romney lists “watching movies” as among his pasttimes — he’s an originalist when it comes to the great franchises of the 1970s, citing the original “Indiana Jones” and “Star Wars” films as among his favorites — and he enjoys “Seinfeld,” “Modern Family,” “Friday Night Lights,” “Justified,” “30 Rock,” and “American Idol.” As for music, he lists “Roy Orbison, the Beatles, the Eagles, Clint Black, Randy Travis, [and] Johnny Cash.”
– Romney can claim descent from the 18th century British society portraitist George Romney, a fashionable artist in London circles who was the arch-rival of the superior Joshua Reynolds. 
– Romney’s official campaign song is Kid Rock’s “Born Free.”
– He’s a Francophile, too. He spent his years as a Mormon missionary in Paris and Provence in the 1960s, and has been known to speak French on the campaign trail.
– Romney’s official portrait as governor of Massachussets has him posed in front of a painting that resembles a weird mash-up of Impressionist, Pointillist, and Futurist styles.   
CON
– In an op-ed in USA Today, Romney said that as president he would “enact deep reductions in the subsidies for the National Endowment for the Arts.” His campaign later elaborated on this position, saying Romney would slash funding for the NEA and National Endowment for the Humanities in half. 
– After being voted governor of Massachusetts in 2002, Romney hoped to prevent the arts budget from going any higher than $7.3 million, the amount it was when he took office. However, he was unable to stop the state legistlature from raising it. When he stepped down to run for president in 2007, the arts budget was $12.1 million.
JON M. HUNTSMAN, JR.
PRO 
– On his Facebook page, Huntsman lists “progressive rock” as his only cultural interest. That’s something of an understatement. In 1978, Huntsman grew his hair long and dropped out of high school to play in a prog-rock band called Wizard. Recently, when he appeared on “The Late Show,” David Letterman pulled out an incriminating photograph from this period and invited him to jam with Paul Shaffer on “Johnny B. Goode.” Huntsman displayed some impressively jazzy skills on the piano.
–  He has said, “I love music, I love all kinds of music, particularly jazz. Jazz is an extension of America. There’s no other country in the world that could have produced jazz.”
–  On August 18, Huntsman first tweeted about his love of Captian Beefheart, aka Don Van Vliet, the cult hero of avant-garde ’60s music (who later became an expressionistic painter represented by blue-chip dealer Michael Werner). Pressed on this issue, Huntsman proved his bona fides by calling “Trout Mask Replica” “part poetry, part improvisation, all cutting edge” and then claimed the 1978 record “Bat Chain Puller” to be “a little more accessible.” That album was never officially released, and has circulated among Beefheart fanatics only in bootleg form; it may be released, finally, this month by the Zappa Family Trust. 
– In the CNN/Tea Party debate, Huntsman made a crack about Romney’s book “No Apology,” saying, “I don’t know if that was written by Kurt Cobain or not.” If any of the Republicans present got the Nirvana joke, they gave no indication of it.
– In April, a week before he officially stepped down from his post as U.S. ambassador to China and two weeks after Ai Weiwei was detained by the Chinese government, Huntsman wrote in Time magazine that “Ai Weiwei is the kind of visionary any nation should be proud to count among its creative class. He has drawn the world’s attention to the vibrancy of contemporary Chinese culture…. It is very sad that the Chinese government has seen a need to silence one of its most innovative and illustrious citizens.”
– As ambassador, Huntsman was an advocate of intellectual property rights and pledged that the Obama administration would “continue to speak up in defense of social activists, like Liu Xiaobo, Chen Guangcheng and now Ai Weiwei, who challenge the Chinese government to serve the public in all cases and at all times.”
– Huntsman’s three eldest daughters are a cultural force to be reckoned with. Mary Anne, 26, is a classically trained pianist; Abby, 25, is a former PR hand who now books her dad’s media appearances; Liddy is an aspiring “Saturday Night Live” comedian. Together they have made winningly goofy attempts to back their father, such as a parody of Justin Timberlake’s “Sexyback” (“We’re bringing Huntsman back…”). Huntsman also has two sons, and two adopted daughters, one from India and one who was found abandoned in a Chinese vegetable market.
– In a recent survey of the Republican candidates’ homes conducted by the New York Times, a jury of designers liked Huntsman’s five-bedroom house in the D.C. area the best. A tour of the home revealed “a man of many interests in the artwork, vases and other ceramics, perhaps collected on Mr. Huntsman’s travels in Asia.”
CON
– As governor of Utah, Huntsman toured Robert Smithson’s “Sprial Jetty” and fielded the Dia Art Foundation’s concerns that oil drilling in the Great Salt Lake might devastate the Land Art masterpiece. Despite Huntsman’s creation of a government body to handle Dia’s pursuit of the lease for the land “Spiral Jetty” occupies — land originally leased by ’70s art patron Virgina Dwan — a bureaucratic shakeup rendered those efforts moot, bringing Dia “back to step one.” 
– Politico reports that, as governor of Utah, “Huntsman moved the Utah Arts Council from its status as a fully independent agency to part of the Department of Community and the Arts. While reorganizations can be a bad thing if they’re done essentially to eliminate government work on the arts, they can also reduce administrative costs or improve opportunities to do joint agency projects. Huntsman justified his reorganization on the latter grounds, saying, according to U.S. States News, ‘Utah’s population is becoming more heterogeneous, reflecting a need for more attention to certain government services.’”
ENDORSEMENT
In light of the above, ARTINFO declares its endorsement of Jon Huntsman as the most arts-friendly candidate in the 2012 Republican primaries.  
— Additional reporting by Chloe Wyma

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